博客來精選推薦Dimensions of Originality:Essays on Seventeenth-Century Chinese Art Theory and Criticism
Dimensions of Originality:Essays on Seventeenth-Century Chinese Art Theory and Criticism
Dimensions of Originality:Essays on Seventeenth-Century Chinese Art Theory and Criticism 評價
網友滿意度:
身為一個學涯是商業設計的人!
就算是畢業了也要一直讀書進修的
因為尤其是創意發想、技法或相關知識內容
都是跟著風潮在走的~
在業界走跳不持續努力是完全不行滴!
像這次在博客來買得很滿意的 Dimensions of Originality:Essays on Seventeenth-Century Chinese Art Theory and Criticism
就是我一定會推薦給大家的書籍XD
敘述跟分類的方式很對我胃口~
整個就是好讀!
如果你也在找相關類別的真的別錯過!
附上折價券的連結~ 趕快進去挑書吧! 博客來e-coupon傳送門
Dimensions of Originality:Essays on Seventeenth-Century Chinese Art Theory and Criticism
西藏與西藏人影像:一個漢人攝影記者的駐藏歲月(1950-70年代) ![]() |
約拍是一種態度 ![]() |
商品訊台中水晶專賣店息功能:
商品訊息描述:
Dimensions of Originality investigates the issue of conceptual originality in art criticism of the seventeenth century, a period in which China dynamically reinvented itself. In art criticism, the term which was called upon to indicate conceptual originality more than any other was qi 奇, literally, 'different'; but secondarily, 'odd,' like a number and by extension, 'the novel,' and 'extraordinary.' This work finds that originality, expressed through visual difference, was a paradigmatic concern of both artists and critics. Burnett speculates on why many have dismissed originality as a possible 'traditional Chinese' value, and the ramifications this has had on art historical understanding. She further demonstrates that a study of individual key terms can reveal social and cultural values and provides a linear history of the increase in critical use of qi as 'originality' from the fifth through the seventeenth centuries, exploring what originality looks like in artworks by members of the gentry elite and commoner classes
作者簡介
KATHARINE P. BURNETT is Associate Professor of Art History at the University of California, Davis where she specializes in Chinese art and culture
商品訊息簡述:
作者: Katharine P. Burnett
新功能介紹- 出版社:香港中文大學
新功能介紹 - 出版日期:2013/04/01
- 語言:英文
Dimensions of Originality:Essays on Seventeenth-Century Chinese Art Theory and Criticism